I see 　　You see 　　I want to see how you see 　　You want to see how I see 　　I see how you are seeing me 　　You see how I am seeing you

I see 　　You see 　　I want to see how you see 　　You want to see how I see 　　I see how you are seeing me 　　You see how I am seeing you

Two strangers have a strong impact on a young man who's spending some time with his family in this drama from Germany. Seventeen-year-old Anton has been struggling to make sense of his life since his father committed suicide when Anton was attending boarding school. Anton's mother, Luiza, wants to mend her strained relationship with her son and introduce him to her boyfriend, Paul, so she arranges for them to take a vacation together.

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

Theo and Frances, an artsy downtown couple, are driving to a dinner party at their old friend Zoe's new house in a wealthy suburb of NYC. Lost and frustrated, they call Zoe's husband for directions. When the answering machine picks up, they're unknowingly recorded, making a series of unforgivable comments, criticizing their old friends and their various life choices. After an unexpectedly pleasant reunion over dinner, it quickly becomes a painful nightmare for all. A darkly comic take on the dual realities of friendship.

The story of Sonny Bell (Freeman), an aging Chicago Blues musician, who refuses to retire and defiantly hits the road with his band for one last long-shot to keep doing the only thing that makes them all feel truly alive--play Blues. The story is inspired by Stone's experiences touring and playing harmonica with many of blues music's most revered artists.

The story of Chin, a self-made man who rose from nothing but a mat and a pillow to become a powerful tycoon. His life takes a tragic turn when his wife passes away, leaving him to raise their children alone. Mei, the devoted eldest daughter, sacrifices everything for her family. Kang, the second son, is consumed by gambling, while Yi, the youngest, is a mixed-race gay man of African descent. Though Kang and Yi bring endless trouble, Chin favors his sons over Mei. When illness strikes and Kang’s debts threaten to strip away the family’s fortune, only Mei and her son, Soi Tee, remain steadfast at his side. Just as their home is on the brink of being repossessed and hope seems lost, an unexpected event emerges—changing their lives forever.

這段影片試圖通過靜態與動態影像的組合呈現碎片化的城鎮記憶。這些記憶是非連續的片段，並且被去除了原有的地理上的、時間上的和文化上的語境。它們在不斷變化的過程中塑造了我們對周圍生活環境的認知，但卻無法將我們與真實的記憶聯繫起來。最終在它們的影響下，我們將徘徊在現實與虛幻、過去與現在、地方與非地方之間的碎片中。 　　This experimental film was originally a video installation. It showcases fragments of urban recollections that one fails to place. These fragments are discrete, out-of-context and removed from geographical, chronological, and cultural frameworks. The still and motion images function in different manners of shaping our impressions to the urban landscape but both fail to connect us to the real memories. Eventually they linger as pieces in between the reality and fantasy, past and present, places and non-places.

這段影片試圖通過靜態與動態影像的組合呈現碎片化的城鎮記憶。這些記憶是非連續的片段，並且被去除了原有的地理上的、時間上的和文化上的語境。它們在不斷變化的過程中塑造了我們對周圍生活環境的認知，但卻無法將我們與真實的記憶聯繫起來。最終在它們的影響下，我們將徘徊在現實與虛幻、過去與現在、地方與非地方之間的碎片中。 　　This experimental film was originally a video installation. It showcases fragments of urban recollections that one fails to place. These fragments are discrete, out-of-context and removed from geographical, chronological, and cultural frameworks. The still and motion images function in different manners of shaping our impressions to the urban landscape but both fail to connect us to the real memories. Eventually they linger as pieces in between the reality and fantasy, past and present, places and non-places.

Kuronuma Sawako is completely misunderstood by her classmates. Her timid and sweet demeanor is often mistaken for malicious behavior. This is due to her resemblance to the ghost girl from "The Ring", which has led her peers to give her the nickname Sadako.